Where has the time gone? It is so easy to get caught up in whatever shiny thing is in front of me, that I neglect things… like my blog… like my playwriting.
The reading of my latest drama, “I’ll Be Waiting” was great. The feedback was excellent and incredibly useful. I even changed the ending after considering the questions that some of the audience had at the end of the show. I love ambiguity, but some things were not clear enough. Sadly, I have not thought about writing that much since then. What I need to do is finish tweaking the new play and start submitting it. Maybe writing that here will get me moving.
The photography is going well. I am really focusing in on just specializing on headshots. I took this new profile pic of myself today:
What else, what else… OH! I’ve been doing a TON of songwriting lately. I have written the theme song for two different, great webseries. More information to come on those soon. Also, I wrote a plug theme for my favorite comedy podcast, Comedy Bang Bang. They played on their first ever videotapped podcast and broadcast on youtube. So, I was the first plug song composer to get to see the comedians dance / react to my music. It was pretty great. Pretty freaking great. You can view and hear my song at the 57 minute mark: http://www.youtube.com/watch?feature=player_detailpage&v=tpBLYhbljFI#t=3443s
It is by far the oddest song I’ve ever written since normally I stick to musicals and singer/songwriter stuff. Doing an R&B song in falsetto surprised even myself, which is why I think it worked.
Anyhow, I apologize for not having more to say. I just wanted my placeholder to be something more recent. If anything exciting happens, I’ll let you know
No one wanted Crissy dead, but everyone had a motive. I’ll Be Waiting is a mystery drama that is centered around the disappearance of a young woman. This piece has a long history for me and I’m excited to finally put it out into the world.
Shortly after moving to Los Angeles in 2001, I wrote a play titled The Belt. It was a fast paced and complicated mystery drama that jumped back and forth through time as it revealed what happened to a young woman who was missing.
My friends and I wanted a project so we began filming it. Now, this is before everyone and their mother could shoot in HD with their phone, so it was a pretty big project for how little money we had. After a week of shooting, we began watching the footage to find that the sound was so bad, that it was unusable. I scrapped the project, put away the script and forgot about it. I even poached the song that I had been writing as it’s theme and converted it into the closing number of act one of Group titled “Inner Workings.” You can listen to that here: http://soundcloud.com/adam-emperor-southard
After Group wrapped in 2011, I began to work on a number of different project to see what would hit when I stumbled back onto Belt. I am a very different writer than I was ten years ago, but I absolutely loved the bones of it. It had potential. So I digitally dusted it off and got to work. I cut, I edited, I rearranged, I renamed it.
Then I sent it to The Los Angeles Theatre Ensemble to see if they wanted to put I’ll Be Waiting in their Scriptyard Series as they did Group a couple years back. Much to my surprise, they wanted to play with it and we got to work. Between the first and second rehearsal I cut the play down another 14 pages. The notes I received from my actors and brilliant director were absolutely crucial to my editing process. It was now a streamlined mystery that clipped along.
We had a reading at the Kirk Douglas Theatre rehearsal space on October 1st and the reactions from the audience was absolutely fascinating. The play went over well, but there were a number of details that I could tell went unnoticed. I used that reading to inspire significant changes to the end and now here I am; excited to share my new work with whoever is interested in producing a new play.
It is an ensemble piece with seven characters. The set, props and costuming is simple, but you are going to want a clever lighting designer to make the blending of scenes work. If you are interested in reading I’ll Be Waiting, shoot me an email at AESPiano@gmail.com. I look forward to discussing my work with you.
I have recorded a video of myself singing the second song from it here: http://www.youtube.com/watch?v=Pnui_AKn41w&feature=youtu.be
Let me know what you think. I have much bigger plans for filming my next show as I write it, but that information is too early in the development process to share at the moment.
Stay tuned and let me know if you are interested in being a part of my next work.
1 year ago today we had just begun rehearsals for six workshop performances of my first musical Group. Fast forward a year and the words “Group: A Musical – The Los Angeles Theatre Ensemble” is projected on the big screen at the historic Orpheum Theater at the 2011 Ovation Awards. It’s been a pretty great year.
As previously posted, https://adamemperorsouthard.com/2011/09/20/isaac-wades-portrayal-of-dr-allen-recognized-by-la-stage-alliance/, Isaac Wade (who I wrote the role of Dr. Allen for) was nominated for “featured actor in a musical.”
Isaac and I met up with our LATE friends at a downtown diner before the big show. I’ve got to tell you, those folks clean up REAL nice. (I’ll make sure to post one of the red carpet photos once they go up). Atfter commenting on how all of the “Gospel According to First Squad” cast had begun growing out their hair since the show wrapped, we hoofed it to the Orpheum.
After our red carpet shots (in which we forced the photographer to take one of as many of us as we could wrangle) we mingled in the gorgeous lobby hugging everyone we knew.
The theatre was stunning and the energy was palpable. We cheered like we were at a high school football game every time there was mention of any of our friends. Our faces hurt from smiling and our voices were raspy from hooting.
While we went home physically empty handed, I would say the whole experience was satisfyingly fulfilling. Just being invited to the party was such an incredible honor.
Hell, I’m still honored that such an esteemed theatre company gave me a shot in the first place, that anyone wanted to see my work and that it was well received. I feel inspired, invigorated and ready to continue edits and rewrites of my next shows.
I link to all of the deserving winners: http://latimesblogs.latimes.com/culturemonster/2011/11/ovation-awards-la-stage-alliance-.html
Adam Emperor Southard – creator of the musical Group.