No one wanted Crissy dead, but everyone had a motive. I’ll Be Waiting is a mystery drama that is centered around the disappearance of a young woman. This piece has a long history for me and I’m excited to finally put it out into the world.
Shortly after moving to Los Angeles in 2001, I wrote a play titled The Belt. It was a fast paced and complicated mystery drama that jumped back and forth through time as it revealed what happened to a young woman who was missing.
My friends and I wanted a project so we began filming it. Now, this is before everyone and their mother could shoot in HD with their phone, so it was a pretty big project for how little money we had. After a week of shooting, we began watching the footage to find that the sound was so bad, that it was unusable. I scrapped the project, put away the script and forgot about it. I even poached the song that I had been writing as it’s theme and converted it into the closing number of act one of Group titled “Inner Workings.” You can listen to that here: http://soundcloud.com/adam-emperor-southard
After Group wrapped in 2011, I began to work on a number of different project to see what would hit when I stumbled back onto Belt. I am a very different writer than I was ten years ago, but I absolutely loved the bones of it. It had potential. So I digitally dusted it off and got to work. I cut, I edited, I rearranged, I renamed it.
Then I sent it to The Los Angeles Theatre Ensemble to see if they wanted to put I’ll Be Waiting in their Scriptyard Series as they did Group a couple years back. Much to my surprise, they wanted to play with it and we got to work. Between the first and second rehearsal I cut the play down another 14 pages. The notes I received from my actors and brilliant director were absolutely crucial to my editing process. It was now a streamlined mystery that clipped along.
We had a reading at the Kirk Douglas Theatre rehearsal space on October 1st and the reactions from the audience was absolutely fascinating. The play went over well, but there were a number of details that I could tell went unnoticed. I used that reading to inspire significant changes to the end and now here I am; excited to share my new work with whoever is interested in producing a new play.
It is an ensemble piece with seven characters. The set, props and costuming is simple, but you are going to want a clever lighting designer to make the blending of scenes work. If you are interested in reading I’ll Be Waiting, shoot me an email at AESPiano@gmail.com. I look forward to discussing my work with you.